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A bridge by definition is a structure that carries a path across an obstacle. It’s a transporter that gets us from point A to point B efficiently and effectively. In most instances, we refer to bridges in the realm of infrastructure, but when they are referred to in a musical sense, their definition doesn’t really change.
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A musical bridge is a passage of music that contrasts the verse and the chorus, and is generally used to take the listener from one section to the next.
In most popular western music, the bridge is usually found after the second chorus, and transitions into the last chorus. However, there are instances where a bridge can just be considered as a contrasting section. Remember when James Brown asked Bobby if he should “take it to the bridge!”? Or when Timbaland shouts “take it to the bridge!” in Justin Timberlake’s “Sexyback?” While those sections aren’t technically bridges (the ladder actually being a pre-chorus), the idea behind their phrases is to shift into a new section.
Throughout history, there have been some bridges that withstand the test of time (don’t lie; you know every word in “Oops!..I Did It Again”), but that doesn’t necessarily mean that they’re totally essential. In fact, it’s perfectly acceptable to move forward with a song that only has two sections; adding a third section to accompany verses and choruses has the potential to feel overstuffed.
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Roland gaia sh 01 virtual analog synthesizer keyboard manual. If you find yourself struggling to write a bridge, try exploring these five alternatives to a bridge that can be equally, if not more effective.
1. Solos
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Scores of now-classic solos have been used to replace a bridge section—just think of guitar greats like Hendrix, Page, Clapton, or perhaps drummers like Bonham or Peart—but the art of the solo generally died down from popular music in the 1980s and 1990s to make way for more streamlined and accessible song structures. Now that’s not to say the solo disappeared forever; in fact, it’s made quite a comeback.
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M83’s epic 2011 synth-pop hit “Midnight City” made saxophone solos cool again. In Justin Bieber’s “Love Yourself,” the only other instrument besides a guitar is a trumpet solo in place of a bridge. And let’s be honest—we will never forget the iconic guitar solo in “Seven Nation Army.”
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Take a look at Weezer’s Los Angeles anthem “Beverly Hills.” Weezer keep the arrangement streamlined by perpetuating the song’s plodding groove and tossing a catchy guitar solo over the chorus chord progression. A bridge would present the opportunity to detract from the very basic function of the song, which is to uphold an easy and accessible party-like atmosphere. Point being, if your song has enough energy and enough intention in the verse and chorus, try adding a solo for an energetic effect.