The prologue is a polyphonic analog synthesizer with 8 or 16 multitimbral voices. KORG’s analog synthesizer development in recent years has culminated in the prologue, which was designed using 11,000 discrete electronic components. Although the prologue is a flagship instrument, it still retains the inviting feel and accessibility of its predecessors. It features a pure analog path, impeccable sound quality, stunning presence unlike any other poly synth, and the same intuitive interface as the minilogue and monologue, granting you intuitive access to a vast world of analog synthesis.
The prologue uses a structure of 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to distinctive, original circuitry, such as wave shaping to shape the oscillator’s overtones and a sync/ring switch, prologue also features a two-pole low pass filter with enhanced sharpness, drive that adds powerful distortion, and a low cut (high pass) switch. Every detail has been improved on from minilogue and monologue. Its sound covers every sonic possibility: fat basses, powerful leads, and the beautiful pads that you expect from a polyphonic synthesizer.

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Dec 31, 2014 OBXD virtual analog synthesizer by 2DaT / Datsounds / video 3 just messing around video Obxd is emulation of famous oberheim ob-x, ob-xa and ob8 synths. For more information visit https://obxd. OB-Xd - Virtual Analog Synthesizer by discoDSP (@KVRAudio Product Listing): OB-Xd is based on the Oberheim OB-X. It attempts to recreate its sound and behavior, but as the original was very limited in some important ways a number of things were added or altered to the original design. „The OP-X is a triumph of virtual synth engineering. I have just loaded the software and explored the merest fraction of the presets and I am in synth heaven! This is without doubt already my favourite virtual synthesizer.“ B.S. (OP-X user) „I just wanted to let you know that your synth is awesome! Nov 29, 2017 The comeback of real analog synths has partially eclipsed virtual analog synths, which just a few short years ago were the go-to solution for classic electronic sounds and knob-grabbing control.

How to download garageband sound library for pc. The Oberheim OB-X is an analogpolyphonic sound synthesizer.^[1][2]

Apps like teamviewer for pc. First commercially available in June 1979, it was introduced to compete with the Sequential Circuits Prophet-5, which had been successfully introduced the year before. About 800 units were produced with moderate success before the OB-X was discontinued in 1981, replaced by the updated and streamlined OB-Xa. The OB line developed and evolved after that with the OB-8 before being replaced by the Matrix series.

The OB-X was used in popular music by Rush (on Moving Pictures and Signals), Nena, Styx member Dennis DeYoung (used frequently from late 1979 to 1984), Queen (their first synthesizer on an album), Madonna for her debut album, Prince, a keen user, and Jean-Michel Jarre who used it for its massive 'brass' sounds.

Specification[edit]

The OB-X was the first Oberheim synthesizer based on a single printed circuit board called a 'voice card' (still using mostly discrete components) rather than the earlier SEM (Synthesizer Expander Module) used in Oberheim semi-modular systems, which had required multiple modules to achieve polyphony. The OB-X's memory held 32 user-programmable presets. The synthesizer's built-in Z-80 microprocessor also automated the tuning process. This made the OB-X less laborious to program, more functional for live performance, and more portable than its ancestors.

The 'X' in OB-X originally stood for the number of voice-cards (notes of polyphony) installed. It came in four, six, and eight-voice models with polyphonic portamento, and sample and hold. Even the 4-voice model was expensive at US$4,595. The entire range used 'paddle' levers for pitch and modulation, Oberheim's answer to the 'wheel' controls of the Prophet-5. Though these controls were never as popular as the standard pitch and modulation wheels, the philosophy was to mimic the motion of a guitar player bending the strings on their guitar. On most other synthesizers the pitch bend wheel was on the left, and the modulation wheel to the right of it; on the OB-X Oberheim placed them in the opposite relative positions. In addition to this unique configuration the polarity of the paddles was distinctive; the player would pull back on the pitch lever to bend the pitch sharp, and push forward to bend flat.

Albums and songs featuring OB-X[edit]

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• Ambrosia – Road Island (1982)
• Laurie Anderson – United States Live (1984)
• Kim Carnes – Voyeur (1982)
• Christopher Cross – Christopher Cross (1979)
• Chromeo – Business Casual (2010) (Most notably as the intro of You Make It Rough). ^[3]
• Paul Davis – 1980 self-titled LP on the song 'All The Way' (1979)
• Earth, Wind & Fire – Faces (1980)
• Earth, Wind & Fire – Raise! (1981)
• Electric Light Orchestra – Time (1981)
• Eurythmics – Sweet Dreams (Are Made of This) (1983)
• John Foxx – The Garden (1981)
• Jerry Goldsmith – Star Trek: The Motion Picture (1979)
• Amy Grant – A Christmas Album (1983)
• Dave Grusin – Out of the Shadows (1982)
• Bruce Hornsby & The Range – The Way It Is (1986)
• Bruce Hornsby & The Range – Scenes from the Southside (1988)
• Rick James – Garden of Love (1980)
• Rick James – Street Songs (1981)
• Rick James – Throwin' Down (1982)
• Chaz Jankel – Chasanova (1981)
• Japan – Gentlemen Take Polaroids (1980)
• Japan – Tin Drum (1981)
• Jean-Michel Jarre – Magnetic Fields (1981)
• Jean-Michel Jarre – Rendez-Vous (1986)
• John Lennon and Yoko Ono - Double Fantasy (1980)
• The Jeff Lorber Fusion – Wizard Island (1980)
• The Jeff Lorber Fusion – Galaxian (1981)
• Billy Joel – Glass Houses (1980)
• Chaka Khan – Chaka Khan (1982)
• Killing Joke – Killing Joke (1980)
• Killing Joke – Night Time (1985)
• Killing Joke – Brighter than a Thousand Suns (1986)
• Kool and the Gang – Something Special (1981)
• Kool and the Gang – As One (1982)
• Kool and the Gang – In the Heart (1983)
• Ronnie Laws – Solid Ground (1981)
• Ronnie Laws – Mr. Nice Guy (1983)
• Liaisons Dangereuses – Live in Hacienda (1982)
• Madonna – Madonna (1983)
• Missing Persons – Spring Session M (1982)
• Joni Mitchell – Wild Things Run Fast (1982)
• Nena – 99 Luftballons (1984)
• Olivia Newton-John – Physical (1981)
• Orchestral Manoeuvres in the Dark – Dazzle Ships (1983)
• Robert Palmer – Clues (1980)
• Prince – Dirty Mind (1980)
• Prince – Controversy (1981)
• Queen – The Game (1980)
• Queen – Flash Gordon (1980)
• Queen – Hot Space (1982)
• Roxy Music – Avalon (1982)
• Rush – Moving Pictures (1981)
• Rush – Signals (1982)
• David Sanborn – 'The Seduction' on Hideaway (1980)
• David Sanborn – Voyeur (1981)
• Serú Girán – 'Bicicleta' (1980)
• Serú Girán – 'Peperina' (1981)
• Serú Girán – 'Yo no quiero volverme tan loco' (1981)
• Shakatak – Drivin' Hard (1981)
• Shakatak – Night Birds (1982)
• Carly Simon – Come Upstairs (1980)
• Simple Minds – Sons and Fascination/Sister Feelings Call (1981)
• Michael W. Smith – Michael W. Smith Project (1983)
• Spinetta Jade – Alma de Diamante (1980)
• Spinetta Jade – Los niños que escriben en el cielo (1981)
• Spinetta Jade – Madre en años luz (1984)
• Styx – Paradise Theatre (1981)
• Styx – Kilroy Was Here (1983)
• Supertramp – ..Famous Last Words.. (1982)
• The System – Sweat (1983)
• The Time – The Time (1981)
• Tangerine Dream – Tangram (1980)
• Tangerine Dream – Thief (1981)
• Tangerine Dream – Exit (1981)
• Ultravox – Rage in Eden (1981)
• Ultravox – Quartet (1982)
• Van Halen – 1984 (1984)
• Yellowjackets – Yellowjackets (1981)
• Yellowjackets – Mirage a Trois (1983)

References[edit]

1. ^Music Radar
2. ^Music Radar
3. ^https://www.youtube.com/watch?v=pdCLnQ-9ICo

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External links[edit]

Obxh Virtual Analog Synthesizer Download